![]() Since the mid-19th century, black photographers have sought to capture images that reflect the lives, preoccupations and personalities of black subjects. ![]() “I looked at those photographs and saw the women I grew up with,” Ijewere said. The women in the shoot wore traditional head wraps and metallic floral and chequered prints in clashing colours. In 2020, she did another photoshoot with Vogue, which accompanied a piece praising Nigerian “aunties”. ![]() Ijewere soon became known for her ethereal backdrops, her work with mixed-race models and her meticulous attention to black hair. In 2018, at the age of 26, Ijewere became the first black woman to shoot a Vogue magazine cover, featuring the singer Dua Lipa draped in white feathers. At weekends, she would take photographs of her friends, many of whom were of mixed heritage like her, in the local park. She didn’t understand why these “pieces of art in themselves” were not more visible. Ijewere was interested in fashion photography, but she began to notice that the prints and hairstyles she saw everyday didn’t appear in magazines. The neighbourhood “aunties”, as all older women were known, paired Nigerian patterns with Gucci handbags and Burberry motifs they would style their afro hair in a way that was almost sculptural. As a teenager growing up in Peckham, an ethnically diverse area of London, the photographer Nadine Ijewere observed the way that the women around her dressed.
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